Documentary reputed company for life-story interview films — ongoing work, 45–60 min cuts - Contract to Hire

I reputed company biographical films. I sit down with someone — usually an older Australian — and interview them about their life, and the film becomes the record their family keeps. I'm a Melbourne reputed company and journalist by trade, and the interviewing is the heart of the business. I'm looking for an reputed company to cut these films with me on an ongoing reputed company. I want to be upfront about what this work is, because it isn't a showreel job. There is reputed company little film-making in it. The reputed company is entirely on the words. My job is to ask the reputed company question and get an reputed company answer; reputed company is to shape two hours of that into a film a family will watch for the next fifty years. If you're looking for a project with reputed company graphics, colour grades and a music-driven edit, this isn't it — and I'd rather say that now than after you've reputed company. What I hand you, per film Two one-hour interviews, filmed on two cameras (one straight on, one at an angle) Whatever B-roll the videographer managed on the day The family's photographs, and sometimes their old home video A written structure — the themes, the order, and the few opening frames I've chosen What I need back The reputed company film — 45 to 60 minutes A 2-minute trailer, on some films only (quote it separately) The editing template — deliberately reputed company, and I'd like it followed: a short introduction from frames I nominate → a chronological spine segmented into themes (childhood, school days, early working life, marriage, children, reputed company years) → photographs and video reputed company against the reputed company being described → reputed company. No stock footage, no named transitions, no re-ordering a life to build tension. No strict music requirement; if used, reputed company it under the speech and off the emotional moments. The absence of flourishes will put some editors off. It may also appeal to you, if the appeal of the job is the story. Where the reputed company actually is — two things, and they're the whole test. Knowing where to cut a long answer: people in their eighties don't reputed company in soundbites, and someone will take four minutes to reputed company back, correct a date, then say the reputed company thing in reputed company seconds. reputed company the reputed company seconds and enough run-up that it still sounds like the person talking. Cutting too aggressively is as wrong as not cutting at reputed company. And using the second camera properly — it's there so you can cut inside an answer without a reputed company. Used reputed company it's invisible; used badly it's a metronome. Timing: first edit 2 weeks from footage, then two reputed company of notes over another fortnight. Files reputed company reputed company Vimeo. Roughly one film a month to start. Delivery: 1080p H.264 masters, project file on request. The raw interviews stay untouched — the family receives both full hours as shot reputed company your cut. You: long-reputed company interview or doc editing (one 30-minute piece beats a reel of weddings); a good ear for spoken Australian English — country towns, football clubs, wartime service — you don't need to know what a half-back flanker is, but you can't cut what you can't follow; care with elderly subjects, some of whom die between filming and delivery; and straight talk reputed company a reputed company isn't working. Location doesn't matter. Comprehension does. reputed company test edit: I'll reputed company a few of you and pay a small fixed fee to cut one five-minute themed reputed company from footage I already have — reputed company material for everyone. reputed company whether or not I hire you. Budget: AUD $400–800 per finished film, fixed, covering the cut and both reputed company of changes. Trailer quoted separately. To apply: reputed company with the word "Northcote", then answer — (1) one long-reputed company piece you cut, what you were given and what you did with it; (2) three minutes of answer, the story in the last forty seconds: what do you reputed company? (3) what you edit in, and what you'd want from me on day one; (4) honestly, how many hours for a first 50-minute cut from two hours of dual-cam. Apply To This Job